
Last night I asked my mum a question. I asked…
“Who was weirder? Teenage me, or adult me?”
I asked her this because, last night I shared a room with Simon Fowler and Crispian Mills, (if anyone has read any of my previous blogs, you will know these two music icons were the be all and end all of my teenage years).
Everyone who knows me, knows that music plays a huge part in my day-to-day life. I have the radio on in my bathroom every morning, I have a radio on at work. I have my iPod in my ears wherever I walk, take a bus, train or tram… And wherever I am in my house, I have my headphones permanently moulded to my head.
I am not a musician; I am not a singer. The only musical instrument I have ever played was a violin and it was a terrible idea. When I was a kid, I lost myself in the stories of Meat Loaf’s songs to the point where I would shut my eyes and I’d dream about angels riding motorbikes.
When I hit thirteen and I was introduced to hormones, I found my musical interests creeping into the realms of guitars and pianos with handsome and charismatic singers who wrote songs that I begged, in my dreams to be about me…
I had a shoe box where I kept all of my cassettes, and as the months and years of being a teenager wore on, the shoe box became decidedly cramped with tapes by…
Meat Loaf
Del Amitri
The Montrose Avenue
Mansun
Stereophonics
The Supernaturals
The Verve
The Seahorses
Puressence
Embrace
The Doves
Buffalo Tom
Dodgy
Matchbox Twenty
Cast
…and everyone knows that my shoe box would not be complete without the two most important bands I had in my teenage life… Ocean Colour Scene and Kula Shaker.
At the age of fourteen I lived every part of my teenage life through the lyrics I’d memorised from the lips of Simon Fowler and Crispian Mills. In the words I was searching for a combination of escapism and salvation.
Every Friday I would watch TFI Friday religiously, even if it was just to hear the first few beats of The River Boat song when each guest came on.
I once had a sleepover with five of my friends and surrounded by our sleeping bags, munching on snacks you only ever have at sleepovers; I made my friends watch VHS recordings of Kula Shaker at Glastonbury and when they complained I said…
“My house, my rules.”

The first Ocean Colour Scene single I ever bought was “You Got it Bad”. It was in a bargain bin in ASDA and I bought it because I thought the four men on the cover didn’t deserve to be in a bin and by removing them from that bin, I was somehow being helpful and making a difference to their lives.
The first Kula Shaker single I bought was Tattva because I liked the fact that the cute singer with the floppy blond hair was singing in two different languages, and I’d never seen that done before.
Both bands mapped the way to me being different from everyone else I was surrounded by. Every night after school I would do my homework to the sound of Moseley Shoals and K. With my headphones connected to my Walkman I would let each song guide me through my Science homework. They would soften the blow of the Maths I didn’t understand and fuel my creativity whenever I wrote an essay for English. Not only that, but Crispian Mills became a character in a collection of stories I wrote at the age of fifteen. I created Davy Stevens who had floppy brown hair and was a singer in a band who wrote obscure but powerful, moving songs and found the love of his life in the audience of one of his sell out shows, and of course that love was based on me.
In reality, in my tiny bedroom surrounded by posters of my favourite bands, I felt part of something bigger, something better than my real life. I could tune out the bullies, I could abandon being different, because in my own little world when I was with those people, I was accepted; I was normal.
One “own clothes day” at school I wore a t-shirt with Crispian Mills’s face on it. The following year I wore a t-shirt with Simon Fowler’s face on it. I found stripy trousers just like the ones Crispian Mills wore. I found a white and black striped top that was a replica of the one I saw Simon Fowler wear on Top of the Pops.
I was fourteen when I saw Ocean Colour Scene in concert for the first time. It was 1997 at the O2 Manchester Appollo. I was right at the front and I looked up at the band and I shouted as loud as I possibly could…
“I love you Simon!”
To me that was perfectly acceptable, because at fourteen I meant it.
Twenty-nine years later I watched him sing the same songs that had once saved my tortured teenage soul and gave me the space in my head to be the kind of me that I felt I had to hide.
Last night Kula Shaker were the supporting act and I watched Crispian Mills, dressed in his signature stripy trousers and a shiny black shirt, shake his floppy blond hair and play the same guitar he played in the 90’s. On the journey home mum said…
“How do you know it’s the same one?”
I said…
“Because it was black and white and had a red cross with an Indian symbol on the front. He played it at Glastonbury in 1997 and I gave my character Davy Stevens the exact same one.”

All of this was pre-Bipolar. There was no Bernard, there were no highs or lows and I didn’t get messages from my singing heroes telling me how to save the world. I just had dreams of having a better and more interesting life and Simon and Crispian being part of it.
Last night, as I watched the men I’d admired the most in my teenage years; Simon admittedly looking completely different to the 90’s heart throb I’d always found him to be and Crispian proudly wearing a few wrinkles he’s gathered over the years; I looked at myself with my whitening hair and a number of other things that have started changing since I turned 40, and I realised…
“We might look different, but we’re still singing the same songs and the words still mean the same thing.”

When I asked mum which Katerini was weirder, teenage me or adult me, she said…
“You were never weird, you were quirky. You’re still quirky.”

Last night I was surrounded by 3,500 people who all shared the same love for the same music, the same lyrics and the same charismatic men; in whatever way that might be. I watched people dance and sing and point at the stage, while I sat quietly and didn’t utter a single word. Mum was actually slightly worried that after twenty-nine years of yearning to be under the same roof as two of my favourite musicians, I wasn’t having a good time. But I was, because for the first time in a long time I didn’t feel Bipolar. I didn’t feel weird or strange or different compared to anyone else.
This was me being me. This was me feeling like a teenager all over again, sitting in my bedroom with my cassettes, writing stories based on the vision of famous singers and moulding them into what I wanted them to be, so that an imperfect world meant my own world could be perfect. This was my innocent fourteen-year-old self who was allowed to have an imagination that was out of the box. This was the creative kid who was entitled to be a free spirit just like Crispian Mills; unashamed to be the person they wanted to be.
I spent all of my teenage years desperate to fit in but never actually bothered to try. Instead, I swallowed the pain of being an outsider and being in a room full of people but feeling completely alone. Even as an adult, to this day I dread parties and gatherings because I always find myself in a corner holding a drink for someone else. At conferences or training courses I make a concerted effort at the breaks and lunches to just remove myself from the social aspect of the day because I always end up on my own being the definition of “Billy no mates”. I tell myself, if I’m not in the vicinity; then I can’t be disappointed.
In my younger years I always felt that people didn’t like me, and those who did wanted to change me; not for my benefit but for theirs. There is nothing more emotionally draining than feeling sorry for yourself because the person you see in every mirror, every pane of glass where you catch your reflection; isn’t good enough for other people.
In my teenage bedroom I found solitude, surrounded by the things that made me “me”. My cassettes, my books, my posters, my 1995 Kula Shaker calendar and every single notebook that contained my teenage angst, lovelorn hopes and dreams.
In 1997 I saved up my pocket money for a book that told the story of Ocean Colour Scene from their beginning in 1989. At the very end of the 125-page book there was a quote from Simon Fowler where the interviewer asked him what he thought had brought the band to their current success.
Simon said…
“If you stick with something you believe in, then things just happen to you; simple as that.”
I kid you not, it was like the holy grail. The clouds moved, the sea parted and every part of my confusing world suddenly made sense. After reading those words I wrote them on a piece of paper and slotted it into every single purse or wallet I had on my person. I sellotaped them to the inside of my school pencil case and I wrote the same words in the corner of every first page of every story or piece of writing I wrote.
I thought, if I believed those words then things would happen to me too. If I stuck to what I believed in and carried on being the only way I really wanted to be, then good things would happen. I could achieve my dreams, I could be a decent writer; I could be confident and one day I would be able to stand in the middle of a room surrounded by people and I wouldn’t feel alone because at the end of the day; life doesn’t have to be about fitting in and it definitely shouldn’t be about fitting in for the benefit of other people.
Life should be about being comfortable in the rooms we find ourselves in. Life should be about being happy to wear the skin we are wearing, because the minute you manage that…
…you will never be, in the wrong room…
